
(Photo courtesy of Chito Segismundo)
This bahay na bato was built by Don José de San Miguel Luz, affectionately known as Capitán Ute, who served as gobernadorcillo of Lipa in 1844 and 1854. He commissioned the grandiose structure as a residence for his youngest daughter, María Luz y Mitra, upon her marriage to Leon Librea y Mayo.

Construction took ten years to complete, owing to the time required to season the timber, saw the lumber, and transport it from Mindoro to Lipa. The structural posts and framework were fashioned from molave, while narra was used for the flooring and santol wood for the ceilings and interior partitions. In the absence of cement, the walls and columns were built of adobe, lime, and sand. The house was roofed with galvanized iron, replacing the traditional clay tiles, which had fallen out of favor because they were prone to loosening. The ceilings were finished with painted canvas decorated with motifs inspired by celebrated European works of art.
Completed in November 1881, the imposing mansion reflected the eclectic historicism popular during the late nineteenth century. Its Babylonian-inspired design is owed to its monumental proportions, heavy masonry, and fortress-like appearance. Among its most distinctive features are the broad semi-engaged round pilasters that rise uninterrupted from the elevated base to the roof eaves, lending the façade a strong vertical rhythm. Rather than following the classical Doric, Ionic, or Corinthian orders, the capitals are ornamented with ringed, tiered moldings that encircle the tops of the columns, giving the house an architectural character unlike that of most surviving bahay na bato in Batangas.
With the house’s completion, Don José furnished the residence with lace curtains imported from Paris, two full-length Austrian mirrors, Viennese furniture, finely crafted local pieces by the renowned woodcarver Ah Tay, exquisite Chinese porcelains, and an impressive collection of German glassware, silverware, crystal, china, and chandeliers. In 1917, the house was enlarged with the addition of several bedrooms and a bathroom.
During the Japanese occupation (1942–1945), the mansion served as the headquarters of the occupying forces. Following the liberation of Lipa in 1945, it was converted into a hospital.
Today, the former azotea at the rear of the house lies in ruins. Overgrown with vines and bordered by old graves, it evokes the passage of time, while the main structure, weathered but still imposing, remains one of the few surviving reminders of Lipa’s prosperous past.

de Bautista
The house eventually passed to Josefa Librea, the youngest daughter of María Luz and Leon Librea, who was married to José Luz Bautista. It remains in the family’s hands and stands as one of Lipa’s most important surviving late-19th-century ancestral homes, bearing witness to the city’s distinguished history and architectural heritage.





pwede kaya makita ang house?
The house is not open to the public.
I think Renz that this Mansion should be called the Librea Luz Ancestral House. The land belongs to the family of Leon Librea and her sister Romana Librea,my paternal Great Great Grandmother. I know Renz Beacause I have with me the original mother title of this land which was subdivided in the early 19th century. We live here Renz,at the back of the Librea Luz ancestral house.My Grandfather Maximo Malabanan Africa inherited the subdivided portion next to their’s.
My maternal grandfather is Francisco Macasaet Africa